I primarily write young adult fiction, but occasionally I try my hand at a little nonfiction too. Below are a few articles on writing and the business that I’ve written for The Society of Children’s Book Writers and Illustrators.

Here’s a link to nonfiction piece I have on the web:

Follow the Yellow Web Trail by Joelle Anthony, Fieldnotes, Audbon (it’s in the sidebar about half way down).

You may have read this piece on my website (Friday, May 25 2007), but if you missed it, or you just want to check out the Betsy-Tacy Society website, check it out here

Read the article here.

Click here to read the article.

Copyright notice: This article is copyrighted Joelle Anthony 2008. If you like this and you want to share, I am thrilled. However, I would prefer that you link to this post or my website as opposed to cutting and pasting it to your blog. If you feel like you really want to cut and paste it, I respectfully request that you take the ENTIRE article and not just the list. Previously, when people have posted just the list, it has been misunderstood as a list of things I’m telling people to never do whereas if you read the whole article you see that that’s not what I’m saying at all. Thanks!

Updated & Expanded - Red Hair’s Not as Uncommon as You Think

by

Joëlle Anthony

“Simple fact: If I don’t read, I don’t write.” – Chris Crutcher, The King of the Mild Frontier.

Three years ago, after reading this quote, I embarked on a self-designed reading program because my writing was stagnant. At the time, I couldn’t have imagined what I would learn. Over the next thirty-six months, I read approximately four hundred young adult novels, with some middle grade and adult fiction thrown in for good measure.

My plan was simple. I primarily stuck to YA because that’s what I write, I looked for books published in the last two to three years so that I could learn where to market my manuscripts, and I kept a record of everything I read.

Before I was very far into the program I began to notice similarities in many YA and MG novels. At first it just made me laugh, but after a while I began to take notes. There may not be any original stories, and nothing may be new, but some things are way overused and here are the ones I’ve run across in my reading.

A countdown of 25 things that show up repeatedly in young adult fiction.

#25 – Vegetarian teens with unsympathetic meat-eating parents

#24 – Shy or withdrawn characters that take refuge in the school’s art room/ compassionate art teachers

#23 – A token black friend among a group of white friends - usually it’s a girl, and she’s always gorgeous

#22 – A tiny scar through the eyebrow, sometimes accompanied by an embarrassing story

# 21 – Using the word ‘rents for parents, but not using any other slang

# 20 – A beautiful best friend who gets all the guys but doesn’t want them

#19 – The wicked stepmother who turns out to be simply misunderstood and it’s all cleared up in the climax

#18 – Authors showing their age by naming characters names they grew up with (i.e. Debbie, Lisa, Kimberly, Alice, Linda, etc.)

#17 – Parents who are professional writers or book illustrators

#16 – Using coffee, cappuccino, and café latte to describe black people’s skin

#15 – Main characters named Hannah and making a note of it being a palindrome

#14 – Younger siblings who are geniuses, adored by everyone, and usually run away during the book’s climax, causing dramatic tension

#13 – The mean-spirited cheerleader (and her gang) as the story’s antagonist

# 12 – A dead mother

# 11 – Heroines who can’t carry a tune, even if it were in a bucket

# 10 – Guys with extraordinarily long eyelashes

# 9 – The popular boy dating the dorky heroine to make his former girlfriend jealous, and then breaking the heroine’s heart

# 8 – The diary, either as the entire format, or the occasional entry

# 7 – Fingernail biting

# 6 – Characters who chew on their lip or tongue in times of stress – usually until they taste blood

# 5 – Raising one eyebrow

# 4 – Main characters who want to be writers

# 3 – Calling parents by their first names

# 2 – Best friends with red hair*

And the number one thing found in YA novels…

#1 – Lists

This was not a scientific study by any means, but if you have used any of these things in your manuscripts, think long and hard about how important they are to the story because you may want to cut or change them now. Stretch your imagination, make your characters’ career choices different than what you “know”, find new ways to show emotion, and read, read, read. Besides being fun, the best part of all that reading is it will make your writing stronger.

*While lists rule in teen fiction, red-haired best friends are amazingly predominant in both MG and YA, and certainly gave “lists” a run for its money. It might be an easy way to quickly identify a secondary character, but it’s a lot more common in books than red hair actually is!

© Joëlle Anthony, 2007

Originally published in the Society of Children’s Book Writers and Illustrators Bulletin, July/Aug. 2007

In case you’re interested, all of these websites are talking about the Red Hair article. Some are just links back to here, but a couple of them are having great discussions about race and the last one’s about redheads.

http://gwendabond.typepad.com/bondgirl/2007/08/fun-with-cliche.html

http://www.beneaththecover.com/

http://sarahmillerbooks.blogspot.com/

http://www.schoollibraryjournal.com/blog/1790000379.html

http://writingya.blogspot.com/2007/08/he-peered-coyly-through-extraordinarily.html

http://www.buzztracker.com/permalink/16020/40279833/The-20-Most-Overused-Things-in-MG–YA-Fiction.

http://thegreatmissjj.livejournal.com/291422.html

http://www.yafantasy.com:80/

Originally published in the Society of Children’s Book Writers and Illustrators bulletin, September/October 2006

For some writers, the query is much harder to write than the manuscript. However, agents across the board are begging you not to succumb to services like Agent Wizard (http://www.wizards4word.com/agent.html) and Scriptblaster (www.scriptblaster.com) who do the work for you for a small fee. Recently, literary agents have been hit with a deluge of form-type query letters that truly do you more harm than good because they make it hard for agents to sift out the quality from the bad.

These form queries are personal to the extent that they have the author’s credentials and information plugged into them, but the wording in all of them is similar and can also be abrupt and abrasive. Phrasing like, “Should I send it off to you now and do you like hard copy or by email?” is a real turn-off to agents. Worse than the hard sell approach, services like these sometimes talk about the writer in the third person, as if they’ve hired a publicist to do the letter writing for them, even though they don’t have representation yet, and are often unpublished. This can make the writer look ridiculously self-important in the eyes of an agent.

What’s more, agents do talk amongst themselves, and when five or six of them receive exactly the same query from the same author, they’re all likely to reject it. Although these services claim to have done the research for you, it’s quite obvious they haven’t, simply by the way they send your query out to everyone.

If you really don’t think you can’t pull off the query yourself, there are services that aren’t so obnoxious, but they don’t come cheaply, and it’s debatable how effective they really are. One such service in particular, offers a free assessment of your query and first ten pages of a manuscript. As an experiment, I sent my samples into them and I got a personal email back from the owner, discussing the strengths and weaknesses of my manuscript and query.

She suggested heavy rewrites of my query and synopsis, stressing that I needed her services if I expected any sucess. Interestingly enough, the query and synopsis I sent to her had previously generated four positive responses from editors asking for the entire manuscript. From what I could tell, the benefit of their service was its hands on approach, but it really wasn’t anything that a writer couldn’t get from his/her critique group. And the price quoted was upwards of three hundred dollars for query and synopsis editing, and to generate a list of possible agents, which seemed ridiculously high to me.

Agents are people trying to do a job and simply typing their name into a letter does not personalize your query. You, as a writer, want someone to care about your book, your thoughts, and your career ups and downs. The best thing you can do is research agents personally, and learn about them from live journals, blogs, conferences, and their websites so that you know they’re a good match for you. Ask other writers for agent recommendations, let your critique group have a look at your synopsis, write, rewrite, and rewrite it again. But most importantly, trust your own abilities as a writer. You wouldn’t even need a query if you hadn’t completed a major work of art already, so get back to work and finish the job yourself.

Originally published in the Society of Children’s Book Writers and Illustrators Bulletin, January/February 2005